inspiration #32 : L’Avventura
I’m surprised it’s taken me this long to talk about L’Avventura, considering it’s one of my favorite movies OF ALL TIME and it’s such a direct influence on this book. The Criterion Collection blurb reads as follows:
A girl mysteriously disappears on a yachting trip. While her lover and her best friend search for her across Italy, they begin an affair. Antonioni’s penetrating study of the idle upper class offers stinging observations on spiritual isolation and the many meanings of love.
That is basically the book I wish I had written. I’m obsessed with the portrayal of detachment in the film, that relationships are so fleeting, that we so infrequently make meaningful connections (L’Avventura is the first of Antonioni’s so-called “alienation trilogy”). But further, I love that the characters have everything they could ever want and at the same time are ceaselessly searching for more. That’s the lens that I’ve used to look at Francesca and her family–Marco, Anna, Ricci, and Giulietta. They’re direct descendents of the characters in this film.
Maybe it’s the post-modernist in me, but I also love that L’Avventura is not at all driven by plot. Halfway through the movie, you forget that we’re supposed to be looking for the missing girl, and everything that happens is entirely character-driven. That’s how compelling these people are, rich, idle, and vapid though they may be. And of course, Italy is itself a character–its craggy Mediterranean outcroppings, its fertile inland plains, its frenzied cities.