inspiration #12 : Paparazzi.
I’ve been enjoying playing with the idea that Francesca is a photographer, yet one of the primary concerns when she spends time with Paolo (and with the Turk, Selim) is avoiding photographers. She’s obviously a private person, and her upbringing has instilled in her an innate disdain for publicity-seekers. There’s also a strong separation between her kind of photography and how she perceives paparazzi.
Paparazzi is a concept Italian in origin (invented, or at least first documented, by Fellini in La Dolce Vita). Paolo insists on meeting Francesca at the Armani Hotel in Milan because he’s convinced that the Torinese paparazzi have followed Juventus to the hotel where the team is staying. In Istanbul, Selim directs his driver to drop them off at the back of a club to avoid the paparazzi crowded by the front door. Though she lives in the highly-exposed world of fashion, Francesca has never had to work particularly hard to protect her privacy–yet, with these two men, she necessarily becomes more visible.